Becker (1998) s01e12 – Love! Lies! Bleeding!

Either I made the comment you knew “Becker” was troubled when not even a solid sitcom director like Andy Ackerman could make an episode work or I meant to make that comment. This episode has Ackerman back and, this time, he’s able to compensate for some of writer Michael Markowitz’s stumbles. Not the misogynist stuff with Alex Désert but there are only so many miracles one can work. So, this episode’s the Valentine’s Day episode and Ted Danson hates Valentine’s Day. He has a rant about its suspect history, which doesn’t seem—based on a Wikipedia glance—to be accurate. If Danson’s going to rant about something, he’s got to be right. Otherwise he’s just a blowhard. The point is he’s right, not he’s a blowhard. Or at least when it works.

But it doesn’t work with Désert or Terry Farrell this episode. Danson implies Désert’s girlfriend is ugly and Désert freaks out, the unspoken joke (for a while) Désert’s blind so what does he care. He cares because he’s a misogynist and so’s Danson. Joy. When Danson later comforts a female patient, it takes a moment before he’s obviously sincere. For a second, you’re expecting him to dig in and humiliate her because… it’s a laugh somehow? At least in Markowitz’s mind.

The episode is Danson running into different kinds of Valentine’s Day goings on, but not specific to the holiday, just romance in general. There’s the girlfriend who stabs the cheating boyfriend, there’s the teenager who wants a vasectomy so he can have unsafe sex, there’s the female patient, who’s allergic to roses. Curmudgeon Danson just can’t get away from signs of love, not even at the office where Shawnee Smith has a whole relationship in one day over the phone (minus the consummating, which might be for the best but also maybe not) and Hattie Winston gets to… talk about her offscreen plans and shake her head at Smith and Danson. Not a great episode for Winston. Or Smith. But Smith at least gets material.

The episode’s got some successful moments, including the return of Saverio Guerra, whose every moment is fantastic. He’s back to torment Farrell and probably a little worse of a guy than Danson and Désert, but not much.

The show’s bottom is higher than before, which is good.

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