Robocop: Last Stand; Boom! Studios; October 2013; $3.99, 32 pgs; available collected.
Robocop: Last Stand #3 gives a great example of what’s lost in the idea of adapting Robocop 1, 2, 3, or 4 to comic books—the damage to Robocop. The movies are all about him getting beat to crap, just about broken, losing limbs, his human face getting revealed, on and on. This issue has something similar, but since Robo doesn’t have anyone to play off of, Grant and Oztekin can’t give any insight into his condition. The comic doesn’t have any Robo-vision shots giving the efficiency level. It’s just a lot of dialogue-free action as Robocop tries to survive an ambush by the Japanese cyborg bad guy. It’s a great sequence, thanks to Oztekin’s art and how he paces it, but it’s extremely detached from Robocop’s trials.
In fact, when he rescues a young girl left homeless by a fire (one the evil company doesn’t let the firefighters fight until Robocop forces them to do so), Grant’s script moves to her perspective (because she’s talking) and Oztekin follows suit (a little, but a little shift in the art’s narrative distance is a big thing).
The issue opens awkwardly once again; turns out the final panel of last issue was one of those panels where Oztekin was doing important, unspoken visual exposition. Once the issue reorients—there’s a twisted back twist to start things off, which might play differently in the trade—it’s straight into the Robocop action. The beginning, albeit with the plot twist teaser and some black comedy, is all evil company OCP plotting and bickering. The comic’s biggest leap in logic is how such a dysfunctional organization could coordinate enough to even set a trap for Robocop. And not because Robocop is too smart, but because there’s no one particularly bright at OCP.
Once the action starts at the burning building, it never stops. The third act of the issue, with Robo playing guardian to the little girl, is just him getting into a souped up car so he can outrun the OCP cops chasing him. It’s got an excellent pace thanks to Oztekin (and presumably Grant) and a rather effective finish.
Though, once again, it feels like Grant is just starting the story. Now we’re going into the second act, at the end of #3. Of eight.
So it’ll be very interesting if the next issue really does end with a “Volume One” feel.